I’m not going lie and say I’ve lived a long and experienced life (not as of writing this at least), but I’ve loved anime for as long as I remember. With over a decade of enjoying the medium, I’m fairly confident in my ability to judge what makes a series/film memorable and a novelty within its genre–a series/film that stands the test of time and remains a cult classic. I can’t think of anything better than the historical piece of Edo Period Japan, Samurai Champloo.

What Is It?

Renowned anime and film director Shinichirō Watanabe, famous for his involvement in Cowboy Bepop, had come up with the concept and idea behind Samurai Champloo in 1999. Watanabe envisioned this series as a passion project, combining two things he enjoyed: hip-hop and Japanese Samurai. It wasn’t until 2002 however, when his passion project really began production.

From the opening animation to the story and soundtrack, Samurai Champloo wasn’t just a passion project for Watanabe, but for several people in the industry as well. With animators from Madhouse Productions and Studio Trigger, this historical drama was destined to be nothing like any other. The concept of mixing hip-hop, influenced by the African American artists of the time, and the Samurai of Edo period is definitely a feat that can earn the title of “unique”.

The narrative centers on three unexpected friends: Fuu, a confident young lady looking for a samurai who smells of “sunflowers”, Jin, a quiet, orderly ronin, and Mugen, a brazen, erratic criminal. Fuu spares the two from an execution and after losing a bet, the two samurai become Fuu’s bodyguards. The three then set out on a 26-episode journey throughout Japan to track down this mysterious samurai. They encounter several obstacles along the way, including outlaws, other swordsmen, and their own troubled past.

A theme for the series that Watanabe wanted to implement into the story of Samurai Champloo was the concept of death. Be it an episodic structure or with an over-arching plot point, the idea of death and just how quickly and sudden it can happen is portrayed as if the show wanted you to appreciate the concept of dying itself. It is a series that displays death as a means to emphasize just how beautiful and precious it means to be alive.

I believe the other half of what made the series so beloved was the soundtrack. From the opening theme Battle Cry to the background track Aruarian Dance, famous Japanese hip-hop artists Nujabes, Fat Jon, and Forces of Nature composed the music that surprisingly really tied the historical piece together. The hip-hop elements engaged well with the story and surpassing not only just the soundtrack but influenced the title cards and character designs for the show.

With the release of Samurai Champloo in May of 2004, the following effect it had on the youth of Japan of the time was nothing to scoff at. Graffiti art, rap battles and other cultural impacts in the west were becoming more normalized in Japan, especially when the series portrayed it in a thematic way that felt approachable to anime fans. A historical piece with a remix was what gave the series its footing, and to this day is revered as a classic of its generation.

Samurai Champloo isn’t free of controversy however, with its attempts to portray more progressive messaging with its characters, some of the inclusivity can come off as dated or problematic. Many fans who are apart of said communities, find themselves split on the matter, with majority defending it by stating it as a “reflection of the time period”.

Samurai Champloo was one of my earlier anime I’ve watched. It opened the doors for me to the genre, in ways the likes of Dragon Ball Z and Yu-Gi-Oh hadn’t before. The series made me realize how diverse and unique the anime world could be, and it formed a personal standard that I would go on to expect from other series. Its bold blending of genres, its thought-provoking themes, unforgettable soundtrack, and its loveable characters continues to enforce my idea that there won’t ever be a show quite like Samurai Champloo.

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